Beet LQ 127 8

Burnt canvas,  100 x 50cm. 2018

+ 1 AP, 70x70cm, 2018

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In this series, fragments from Beethoven's String Quartet No. 12 in E-flat Major, Op. 127 are translated into a new visual order.

From the flow of parallel lines emerge structures that condense, unfold, and transform. Like musical motifs, they follow an internal logic of repetition, variation, and transformation.

Peaks of frequency and melodic intervals shape a topography of perception in which music becomes tangible as a landscape. Between composition, writing, and calculation, a visual field of resonance emerges, revealing the relationships between sound, structure, and form.

Rather than representing the music itself, the works translate the principles of its composition from hearing into seeing.

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Signed drawing with a Certificate of Authenticity.

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in collaboration with Diego Perez Espitia